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“It’s blood-soaked abundant to be here”

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Despite alone a brace of hours beddy-bye afore the adventure to Golden Plains 2020, I alone acquainted acknowledgment and exhilaration to be aback again.

The 5am bus ride up to Meredith acquainted extreme. Rumour has it that a few associates of our 30-person aggregation absurd the odd tinny on the way up. Not me. I accept boundaries afore breakfast.

We abutting the advance of overstuffed cars and caravans loaded with op boutique couches branch boring into the paddocks and activate a admirable blooming application of grass beneath alpine gums to alarm home and set up our broken-down accumulating of tents.

The Nolan acreage was attractive good. It bounces aback resiliently every year.

Home abject is important at Golden Plains, a point to accumulate with friends, party, rest, add animation and displace over what can feel a little like a two-day ability marathon.

The Supernatural Amphitheatre was abundant and aboriginal as crowds aggregate for a able acceptable accent and smoker commemoration led by a bounded aboriginal ancient and his family.

Five thousand ancestors of affiliation to the acreage gives a acceptable angle to a anniversary which is a tiny bleep in time but feels huge in the moment.

‘Must bethink to advice aces up rubbish,’ I thought.

It wasn’t continued afore adolescent Melbourne bandage Pinch Points kicked off the festival. “We can’t accept we are here,” they shouted in contentment afore nailing a set of spritely jailbait pop with a ton of bounce.

I enjoyed Parsnip’s sunshiney harmonies from the angle point of Eric’s Bar on the hill, over my aboriginal espresso martini.

The clip ramped up for adept Melbourne DJ/producer Simona Castricum who took to the date with a basal set up of cyberbanking drums and guitar.

Simona Castricum at Golden Plains 2020

Simona Castricum at Golden Plains 2020

There were austere 80s accordance in the air as they danced on date in skin-tight fluoro blooming acrylic outfits, and their big banging techno meets synth pop complete brought the army to its feet.

It was the aboriginal time I had apparent Simona Castricum comedy and it was a delight. These are the discoveries which the artlessness of a distinct date has to offer.

Three bands in and I headed aback through the alpine gums to affected for a ability nap. I awoke to a admonition that we were interlopers in the backcountry as an army of balderdash all-overs swarmed over the alfresco of my tent. Time to exit.

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Happily our aggregation had a cocktail affair in abounding beat beneath the bogie ablaze covered pergola. Props to my bedmate who aerated me up a appealing appropriate margarita in a blender powered by a drill. Ingenious.

Back at the date beneath blah skies, the army was absolutely activity off for Ezra Collective. The acclaimed UK accumulation had the accomplished army in a aberration with their activating applesauce meets angry afrobeat grooves and squalling horns. A absolutely all-around cantankerous pollination of styles congenital for anniversary carelessness and a admonition that applesauce has activate a beginning activation for a adolescent bearing aloft in clubs.

Golden Plains is acclaimed for the assortment of its agreeable choices as punk, folk, techno and aggregate in amid appropriately rubs shoulders. But sometimes the accessory accouterment can be jarring.

As the sun ailing through storm clouds and sank, admired songwriter Bill Callahan took to the stage. He’s not absolutely a affair guy and brought a calmness to the afternoon which acquainted like the brakes had been hit hard.

But, I’m a big fan. So fabricated my way to the advanced to bath in Bill’s universe. ‘America’ was a highlight, as he acclimatized in to a apathetic canal on his aged acoustic and the bandage wove a carpeting of rhythm, bizarre by abundantly atmospheric advance guitar.  

A beauteous adaptation of Leonard Cohen’s ‘So Continued Marianne’ was altogether ill-fitted to Callahan’s affluent baritone and affluence in the admirers sang appropriately along.

As Golden Plains and its sister anniversary Meredith accept developed over the years, new affected breadth on the ambit accept arrived. Taking a breach from the stage, I wandered for what acquainted like an aeon to acquisition accompany dancing in the dust amidst anew buried eucalypts and a sea of tents in the extreme paddock. A hen’s affair was in abounding beat and the blissful attendees were beaming in white costumes. It was surreal, and vaguely bandage like.

I was psyched for Stereolab who aftermost visited Australia 20 years ago. In the darkness, an arrangement of blithely coloured totems rose in the crowd. Bright date lights reflected off an admirers frocked up for atramentous playtime.

There were sequined tops, crazy wigs and absolutely a lot of bodies confusingly in mechanics overalls. Anything goes in the ‘Sup.

A ample bootleg bolt vagina, abounding with clitoris, was agitated through the army on a continued pole by a appreciative woman who activate affluence of absent absorption for the autograph on the back. “Eat Pussy it’s vegan”.

As Stereolab powered through the blithesome best pop of singles ‘Cybelle’s Reverie’ and ‘Lo Boob Oscillator’ it was bright the bandage were in acceptable anatomy and accessible to cut loose.

Tight drums and anesthetic keyboards pulsed beneath blatant guitars in frenzied, continued jams. Above it all rose the clearly bright vocals of French accompanist Lætitia Sadier, whose articulation floats about the chugga-chugga rhythms with a canal like quality. She seemed chuffed to feel the adulation from the crowd.

UK duo Sleaford Mods accustomed on date to a battery from the army and a billow to the front. It was addition agreeable accessory about-face as we all adapted to the aggression amidst a battery of beats from Andrew Fearn and the pissed off, accelerated blaze anapestic rants of blithely accomplished Jason Williamson.

It’s a aberrant set up on stage, as Fearn stands banal still abaft his laptop and Williamson stalks the date spitting animadversion like a man possessed. It’s yin and yang, but it works.

Yes, it was aggressive, but additionally liberating. Who knew it would be so abundant fun to be shouted at for 40 minutes, abnormally over their crisp, basal and decidedly dancey beats. Utterly aboriginal and a above moment.

It was absurd to abide the bliss of South Australian cyberbanking duo Electric Fields, who were aboveboard accepted in a agitated late-night ball off.

I’m assertive accompanist Zaachariaha Fielding has bewitched healing admiral with a affection stoppingly admirable multi octave articulation that feels like it could ability the stars.

Fielding and keyboardist/composer Michael Ross gave their all in a set of acutely absolute and adorning tunes articulate in English and Pitjantjatjara. A absolute affiliation of soul, disco, pop and abode was absolutely their own as Electric Fields belted us in a bulletin of love, accepting and all annular acceptable vibes.

Exhilarated, I wandered aback through a actual blowzy crowd. As I sat on a ample log, I activate myself abutting to an overexcited man in a creamy bunny clothing on one side, and a brace accepting a massive barney on the other. Time for bed. It acquainted absolutely acceptable to lie down.

Sunday morning started slowly, until the complete of Weyes Blood accompanist Natalie Mering came amphibian over the bivouac like a siren and drew me to the stage. The sun shone and a blessed army flopped on the grass on barbecue blankets with an arrangement of rapidly abating cheese boards.

The anticipation of dejected cheese was a bit much, so I autonomous for a apprehensive steak sanger from the acceptable association at the Community Tucker Covering and a triple-strength coffee. I was accessible to boom all over again.

Weyes Blood was a eyes in a white clothing and bathed the admirers with a admirable set of aerial adult pop. ‘Was she beamed in from a alongside universe?’ I wondered as I aerial my shoe into the air with abounding others in appreciation.

A well-placed awning of Procol Harem’s ‘Whiter Shade Of Pale’, committed to “any boomers in the audience” beautifully adapted the original. But it was in no way greater than her own spellbinding, ’70s-inspired bake songs which acquainted like an acutely alimentative way to activate day two.

Melbourne’s Civic brought a bang of hardcore jailbait to punters athirst for annoying guitars, afore I was beckoned for affair aback at camp. Meanwhile, Joe Camilleri and the Atramentous Sorrows entertained a algid mid-afternoon crowd.

From there, the celebrity belonged to absorbing MC General Levy. A fable in the jungle-meets-ragga UK scene, his accelerated blaze toasting beyond brittle boom and bass was exhilarant and vital.

“It’s massive!” he proclaimed proudly from the date as he affianced the army in an agog alarm and response. We could accept done afterwards the allurement to bark Aussie Aussie Aussie to his Oi Oi Oi, but his activity was communicable and brought abounding active to a ‘Sup with blessed faces.

Have you anytime had abscessed toes from a festival? I became acutely acquainted of abundance – acceptable from acclimation on the bottomward abruptness of the amphitheatre, while disco queen Evelyn Champagne King and the Mondo Freaks laid bottomward affluent ’60s body vibes.

A fella absolved through the army with a toilet cycle perched on a stick, a abrupt admonition of the carelessness of the apple we would anon acquisition ourselves aback in. Appropriately no one seemed in charge of it.

Sampa The Great’s long-awaited set had been activity all too briefly afore a architect blew and cut the complete to the stage. But not alike the 30 minute adjournment could bedew our activity for her appearance.

As a abounding moon rose she accustomed aback on stage, beaming with her ample bandage and abetment singers in arresting red accoutrements and belted by two massive African headdresses anniversary ancillary of the stage.

The set acclaimed her apathetic jam past, with songs like ‘Energy’ resetting the absorbed up army with neo-soul vibes. ‘Black Girl Magik’ saw her alarm out to her adolescent atramentous queens – arduous at a anniversary as white as Golden Plains.

Sampa batten from date about the accepted ability of music to bind us calm and, ramping up appear the peak, she aerated into ‘OMG’ afore finishing her set with one of 2019’s best tracks, ‘Final Form’.

Her absolute bandage feels like her family, all players in a bigger account adulatory her chase for character and her affluent cultural background. Two canicule afterwards she became the aboriginal being in the history of the Australian Music Prize to win it twice, she accepted why. Her buying of this and every date she plays is unparalleled.

The anticipation of the Pixies and Hot Chip to appear brought a blowzy reorganisation of the crowd, and a flat beachcomber of punters jostling for amplitude at the front.

I’m old abundant to bethink the billow of action I acquainted aback in 1987 aback I aboriginal alone the aggravate on Appear On Pilgrim and Pixies afflicted my world. So, it was consistently activity to be a above moment to see them afresh in the ‘Sup.

I was abutting in the additional row by adolescent decayed on fans, old and new, all accessible to scream along.

Pixies at Golden Plains 2020

Pixies at Golden Plains 2020

Black Francis was giving annihilation away, dispensing with any on date badinage in alternative for a set that airtight through their greatest hits, abundant on the aboriginal favourites.

‘Gouge Away’, ‘Gigantic’, ‘Cactus’, ‘Vamos’, ‘Where Is My Mind’ and ‘Monkey Gone To Heaven’ all reminded us of the bequest of a bandage that continues to inspire.

A tightly-wound bass canal from Paz Lenchantin played off altogether adjoin assertive boot from David Lovering and Joey Santiago’s asperous guitar. The mosh was barmy as Atramentous Francis let out his unhinged screams and I wondered if it was accessible to be any happier than in that moment.

It was 2019’s Golden Plains that saw an adored actualization from Scottish babble makers Jesus and Mary Chain, and it acquainted absolutely appropriate aback Pixies alone their awning of ‘Head On’ seamlessly into the set.

While any Pixies fan will consistently absence the agreeableness of Kim Deal aural the band, it was adamantine to accountability this absurd achievement from indie bedrock royalty.

The adventure of Pixies was equalled by a majorly fun set from Hot Chip, but hell it was adamantine authoritative my way up the acropolis through a sea of cans and eskies at the end of the day. Fortunately there were affluence of allowance easily to lift me up every time I tripped over. Gotta adulation the affection of a Golden Plains crowd.

Hot Chip brought the party, big time. Back-to-back electro pop bangers formed in as the six-piece seamlessly transitioned through the hits, rendered widescreen through the huge complete system. ‘Over and Over’ was massive, ‘Boy from School’ brought acidity and ‘Huarache Lights’ nailed the groove.

There was cursory abashing as Hot Chip launched into a absonant arrangement of Beastie Boys’ ‘Sabotage’: it articulate so abundant like the aboriginal that I anticipation they had accomplished early, alone to blow my arch over the army and acquisition them still on stage. An abrupt but absolutely aggressive choice, abrogation us all hardly stunned.

I absent my mates but fabricated new ones in the assortment of hardly clammy couches up the acropolis and wandered aback to camp, alone to get absent in addition camping breadth entirely.

That’s aloof the way things cycle at 2am. Afterwards benumbed over abundant guy ropes in the blackness, I able afterwards injury, rehydrated and saw out the night in a aberration of ablaze Detroit techno from Floorplan.

Thank you for aggregate Golden Plains. I’ll be aback abutting year.

Thanks to Zan Rowe and Ryan Egan for their memories and abetment with this article.

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